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艺术交流与活动 > 行业新闻与活动 > 第六届NVART设计大赛——MOVING INNOVATION 通信设备的革新
第六届NVART设计大赛——MOVING INNOVATION 通信设备的革新
leewiart / 认证用户发布日期:2011-05-18 17:59:26
#1

NVART 06: MOVING INNOVATION 第六届NVART设计大赛——MOVING INNOVATION 通信设备的革新

Get small. Think big. 以小见大 

The evolution of portable technology will empower all of us in exciting new ways. To do more, in more places. To bring our home, or our work, with us wherever we go. Or leave it all behind and escape. The elements of technology are getting smaller, thinner, and lighter than ever before. 

便携式通讯技术的发展总是会以令人激动的新方式影响并改变人们的生活。便携式通讯设备出现在越来越多的地方,家里、公司、无论我们在哪里,到处都能有它的身影。随着技术的越来越深入的发展,它也变得更加小巧、轻薄跟便捷。 


Which gives our imaginations the power to think bigger. 

这些改变给了我们更加充分的想象空间,让我们的思考能力更加强大。 


We want to explore your vision of the future of moving innovation. Make it artistic and awe-inspiring, but make it something we can all aspire to in the decade to come. Not sci-fi, just amazingly creative. 

透过这次比赛,我们希望探索你对便携式通信设备未来的憧憬。您的作品一定要具有艺术性和惊艳的效果,并且它一定要在未来的十年里可以实现,要充满创意,而不是科幻。 

Show us how your device integrates with the daily human experience in a revolutionary—yet realistic, attainable—way, delivering groundbreaking new thinking on performing everyday tasks. In addition to prizes for best artistic imagery, there will be a special prize for the best product visualization. 

您需要向我们展示一个接近现实,或者以能够接受的方式体现出您的设备是如何影响及革新人们的日常生活与人类互动的突破常规的新思维。


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Prizes  奖金及奖品设置: 

1ST PRIZE WINNER      第一名 

$10,000 USD cash      奖金10,000美元 

2 x NVIDIA Quadro 6000       2个NVIDIA Quadro 6000专业显卡 


2ND PRIZE WINNER      第二名 

$2,000 USD cash      奖金2,000美元 

2 x NVIDIA Quadro 6000      2个NVIDIA Quadro 6000专业显卡 


3RD PRIZE WINNER      第三名 

$1,000 USD cash       奖金2,000美元 

1 x NVIDIA Quadro 6000       1个NVIDIA Quadro 6000专业显卡 


4TH PRIZE WINNER       第四名 

1 x NVIDIA Quadro 6000       1个NVIDIA Quadro 6000专业显卡 


5TH PRIZE WINNER       第五名 

1 x NVIDIA Quadro 6000       1个NVIDIA Quadro 6000专业显卡

 
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JUDGING 评审说明 

All judging will be performed internally by the jury. First and foremost, submitted works will be judged on the strength of their emotive and narrative elements, with technical excellence as secondary criteria. Participating artists must demonstrate clarity of thought and emotion in their finished images. 

所有作品将由评审团进行评判。参赛作品的首要评选标准为作品对感官的刺激强度和叙事性因素,作品中体现的创作技术及技巧将作为次要标准,所以艺术家必须在参赛的作品中表现出清晰的创作思想和明确的创作情感。
 
PANEL OF JUDGES 评委介绍 


Kyle Swen

Kyle Swen Born in Minnesota, Kyle laid down paint and spun wrenches until studying eventually led him out to California where he received his Bachelors degree in design from San Jose State University. After graduating, he designed at Lunar and Tandem computers (now HP) respectively, before helping launch ASTRO studios in 
1994. 

Since Astro’s birth, Kyle has been at the creative helm and has led multitudes of diverse programs at ASTRO for many of the world’s leading corporations, such as; Nike, HP, Alienware, Herman Miller, Calloway Golf and Virgin just to name a few. Kyle has gained recognition in ID Magazine, IDEA, IDSA, Red Dot, as well as 2 Business Week/IDSA Design of the Decade Awards. 

Kyle Swen ,出生于美国 Minnesota,在美国加州圣何塞州立设计大学获得学士学位。毕业后,创办ASTRO工作室前,曾为Lunar and Tandem computers(即惠普公司)担任设计工作。 

自Astro工作室诞生以来,由Kyle Swen主导的ASTRO 创意团队已经许多世界领先级的公司合作,开发了不同的设计项目,与他合作过的公司包括Nike, HP, Alienware, Herman Miller, Calloway Golf 以及Virgin 等等。Kyle Swen的设计也获得了ID Magazine, IDEA, IDSA, Red Dot等设计界权威机构的认可,并两次获得商业周刊/ IDSA的十年设计奖。
 


Adam Benton 

Adam Benton is a freelance CG illustrator and animator from the UK. His influences are listed as Harryhausen, Heinlein, Asimov and Ralph McQuarrie. As he gathered clients, his style expanded from science fiction to prototype product designs and he found places in Ballistic's EXPOSé and EXOTIQUE books with some amazing imagery. He has designed and illustrated many conceptual and futuristic gadgets using Photoshop and CINEMA 4D for a number of companies worldwide, depicting tech by Apple, Nintendo, Saatchi & Saatchi, Microsoft and Sony. 

Adam Benton,英国自由CG插画家和漫画家。他在艺术上的影响力,被公认为与Harryhausen, Heinlein, Asimov and Ralph McQuarrie等齐名。随着客户数量的增长,他的创作风格也在逐步从科幻小说到原型产品设计,慢慢延伸扩大。他充满想象,色彩缤纷的作品也经常可以在Ballistic的EXPOSé 和EXOTIQUE中找到。他用Photoshop和CINEMA 4D为全球众多的公司创作设计概念和未来的小机械,其中包括Apple, Nintendo, Saatchi & Saatchi, Microsoft 和 Sony等。 



Pascal Blanche 

Pascal Blanche is a French Canadian 3D artist, with a history stemming back to the early 90s with TILT magazine in Paris. He is greatly valued for his skill in art direction and character development. In the past ten years, he has worked for Ubisoft on Assassins Creed, Myst IV as well as Naruto: Rise of the Ninja and James Cameron's Avatar: The Game. He's also done great work for Autodesk, Microsoft, Fantasy Flight Games and Wizards of the Coast. He was awarded Grand Master in Ballistic's EXPOSé 4. He is presently the Art Director at Jagex in Cambridge, England, working on 'Runescape'.
 
Pascal Blanche,法裔加拿大籍3D艺术家。他十分重视艺术指导和个性发展的对个人技能的影响。在过去的十年,他参与了Ubisoft的《Assassins Creed》,《Myst IV》,《Naruto: Rise of the Ninja》,《James Cameron's Avatar: The Game》等项目,也参与了Autodesk, Microsoft, Fantasy Flight Games 和 Wizards等很多项目的工作。他曾被Ballistic的 EXPOSé 4授予大师奖。目前他在英国剑桥的Jagex为《RuneScape》担任艺术总监的工作。 



Steven Stahlberg 

Steven Stahlberg has spent twenty five years as a professional artist, working in Sweden, Australia, Malaysia and now the USA. Steven created the first digital character to be sponsored by a major modeling agency (Elite), back in 1999. He became most famous for his incredible female forms, and featured as cover artist on Ballistic's very first book, EXPOSé 1. 

He has won Autodesk's Maya Master Award, taught all over the world and held many sold-out CGWorkshops here at CGSociety. He now lives in Atlanta and works for CCP. 

Steven Stahlberg,曾旅居在瑞典,澳大利亚,马来西亚,现居美国 亚特兰大,任职于CCP。他曾用二十五年的时间,专职进行艺术创作。早在1999年,Steven Stahlberg便为最大的模特经纪公司(Elite)创作出了第一个数字形象。他创作唯美,惊艳的女性形象为文明,他也是被Ballistic的第一本画册 EXPOSé1 收录的艺术家。 

他也曾获得过Autodesk公司的Maya大师奖,应邀举办了世界巡回讲座。 



Arnoldas Vitkus

Winner of NVArt 5: Accelerate. Currently I'm an art school graduate and a self taught CG artist, working for six years now. I've drawn since early childhood and later in art school I received a strong foundation in drawing and sculpture, as well as other traditional arts.
 
My passion for sci-fi and fantasy introduced me to the wonders of CGI which helps visualize my ideas into a believable shape. I continue working with CG as a main subject with a focus on character art, and I'm currently building a portfolio to further pursue my career in CG. If I have a chance I always try to take part in CG competitions like NVArt and CGChallenge.
 
NVArt 5获奖者。目前我从艺术学校毕业,并且自学CG艺术已经6年了,在很小的时候,我变开始进入在艺术学校学习,这为我绘画、雕塑以及其他传统艺术方面打下了坚实技术的基础。 

对科幻和幻想艺术的热爱是我对CGI产生了兴趣。我会继续CG创作。目前我正不断地创作,丰富我的作品集,以求在CG创作方面可以达到一步进的提升。如果有机会,我将再次参加NVART大赛。 



David Wright 

David Wright has a long history as a 3D artist. He progressed to making architectural renderings for the real estate market and lots of successful TV commercials. Later, he co-founded ‘Artmaze’, still one of the leading providers of integrated 3D animated visuals and multimedia services for Real Estate developers. Wright was invited to join the USA arm of the European graphics software company ‘Realviz’ as a VP of AEC Marketing, with the task of expanding and shaping their image-based modeling and camera tracking software for the AEC market. Two years later he joined NVIDIA as the head of Creative & Design and exercises his true passions, 3D & Design. David holds a BFA from the Academy of Art University in California, majoring in 3D Computer Modeling. 

David Wright,加州大学艺术学院艺术学士,主修的三维电脑模型,是最资深的3D艺术家。他曾为房地产公司和很多成功的电视广告中创作建筑效果图。后来,他共同创立'Artmaze',仍然是房地产开发商和多媒体提供三维动画及视觉效果的综合性服务的领先供应商之一。David Wright被邀成为Realviz图形公司的副总裁,两年后,他加入了NVIDIA,从事并不断提高着他最喜欢的3D和设计工作。 



Leigh van der Byl 

Leigh has been working in the visual effects industry for almost nine years. Starting in her native city of Cape Town, South Africa in 2000, she worked as a CG generalist in VFX for television commercials, music videos and documentaries for over four years, before moving to the USA where she worked as a texture painter, and occasionally as a lighting artist and modeler, on numerous features, including ‘The Aviator’, ‘Sin City’, ‘Fantastic Four’, ‘Snakes on a Plane’ and the critically acclaimed art film, ‘The Pan's Labyrinth’. 

She moved to England in 2006, and has worked at a number of London's high profile film VFX shops, painting textures for films including ‘Stardust’, ‘Underdog’, and VFX Oscar winner ‘The Golden Compass’, in addition to the epic feature ‘Australia’, Framestore's animated adventure, ‘The Tale of Despereaux’, and ‘Clash of the Titans’. She currently works as a senior texture painter at The Moving Picture Company. 

Somehow she also finds the time to regularly contribute articles to 3DWorld Magazine, play too much XBox, study for a degree in ancient history and archaeology, and admin the forums on CGTalk, where she can often be found adding to her postcount, which currently reads like a population statistic of a small city.
 
Leigh van der Byl一直在视觉效果产业中工作近9年。2000年,在开普敦,她开始长达4年之久的,为电视广告、音乐视频和纪录片的视觉特效方面进行CG创作。之后,她转居美国,以纹理画家的身份进行创作,偶尔也会担任照明和建模等工作,她参与过的项目包括《The Aviator》, 《Sin City》, 《Fantastic Four》, 《Snakes on a Plane》和广受好评的艺术电影《The Pan's Labyrinth》。 

2006年她移居英国,为电影《Stardust》, 《Underdog》,获得奥斯卡视觉效果奖获奖影片《The Golden Compass》,史诗电影《Australia》及 Framestore的动画冒险电影《The Tale of Despereaux》和《Clash of the Titans》等创作纹理。现以高级文理创作师的身份任职于Moving Picture。 

令人吃惊的是,在繁复的工作之余,她依然可以抽出时间,定期向3DWorld杂志投稿,玩Xbox,研究历史和考古学和管理CGTalk论坛。 



Mark Snoswell 

Dr Mark Snoswell is President of The CGSociety, Publisher & Art Director of Ballistic Media and founder of Ballistic Media. Mark keeps a fairly low public profile choosing to work behind the scenes. Mark has been a major contributor to recent CGChallenges writing much of the inspirational and technical support material.
 
His diverse range of experiences include: development of Absolute Character Tools (www.cgCharacter.com); development of The Ultimate Human Model set; film production work for Disney and Warner Brothers; production work for National Geographic; and teaching graphic design, 3ds Max and Painter. Mark’s background includes multimedia design and a career in biotechnology R&D. He is also an artist when time permits and a sampling of his art can be seen in his CGPortfolio http://marksnoswell.cgsociety.org/gallery/. 

Mark Snoswell博士,是CGSociety总监、Ballistic Media的出版商、媒体艺术总监及创始人。他始终保持着比较低的曝光率,从事着幕后工作。在CGChallenges提供灵感、想法和大部分材料,在技术提共有力的支持方面,Mark Snoswell博士一直是主要的贡献者. 

Mark Snoswell博士丰富的工作经验包括:开发Absolute Character Tools(www.cgCharacter.com);发展Ultimate Human Model设定;迪斯尼华纳兄弟公司电影制作工作;国家地理;教学平面设计,3ds Max和画家。他的职业背景包括多媒体设计和生物技术研发事业,同时他也是一个艺术家,他的作品可以CGPortfolio找到。CGPortfoliohttp://marksnoswell.cgsociety.org/gallery/.
 
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TERMS & CONDITIONS条款与条件 

1. Entrants must be 18 years or older. 参赛者必须年满18岁或以上。 

2. Individual entrants only.  只允许个人参赛。 

3. Entrants are not permitted to enter works on behalf of any other individual or entity. 
参赛者不允许代表其他个人或团体投稿。 

4. All entries should be original and not a derivative of existing work,including works previously entered in this competition, excepting the case of "in the style of" competitions where the works may be in the style of the artist designated but may not be so close to a particular work to be a clear derivative. 
要求参赛作品是原作,不可抄袭现有作品,包括在该比赛以前投过的作品。但以某个艺术家的风格进行创作的情况除外,只要与某个特定作品不是十分相似即可。 

5. All entrants must be registered with CGTalk or CGSociety and agree to abide by the Terms and Conditions as described here. 
所有参赛者必须在CGTalk或CGSociety注册,并同意遵守相应条款。 

6. Multiple entries are permitted. 允许多幅作品投稿。 

7. Entries should remain unpublished outside of CGSociety prior to the close of the challenge. 参赛作品要求在CGSociety之外未发表过的。 

8. Images must conform to nominal decency guidelines. Any image deemed to contain content that depicts violence, racial, political, religious, and sexual or any other inflammatory material in an inappropriate manner will be disqualified and removed. Interpretation of what is, and is not, appropriate material is at the sole discretion of Ballistic Media.
作品内容要求庄重得体。任何被认为描述暴力,种族,政治,宗教,色情,及其他煽动性质的作品,将被取消参赛资格。界定标准,由Ballistic独家裁定。 

9. Neither Ballistic Media nor its sponsor will be held responsible for late entries for any reason whatsoever. It is the sole responsibility of the entrants to make reasonable allowances for upload times and to plan accordingly Ballistic及其赞助商对延期提交的作品不负任何责任。参赛者个人负责上传时间及相应的各种期限规划。 

10. Entries will be judged on artistic and technical merit within the scope of the competition theme. The interpretation of these rules, the theme, artistic or technical merit of the work and any other consideration made by the judges is at the sole discretion of the judges.
对符合比赛主题的投稿在艺术性及技术性上进行评审。对作品的规则,主题,艺术性及技术性的界定等由评审团独家裁定。 

11. Judges' decisions are final and no correspondence will be entered into. 评审团有最终决定权,不得异议。 

12. To be eligible for prizes, all winning entrants must provide accurate and reliable contact details. Ballistic Media will make all reasonable efforts to contact winners for a period of 7 calendar days after the completion of Judging. If a winner cannot be contacted within this period then they can be disqualified at the sole discretion of Ballistic Media. 
胜出的参赛者必须提供准确可靠的联系方式。Ballistic将在评审后的7天内尽可能联系到获胜者。过期未联系上的,将由Ballistic独家裁定其被取消胜出资格。 

13. Any import taxes or duties on prizes must be paid by the prize winner. It is neither practically possible nor ethically reasonable for Ballistic Media or any of the sponsors to pay duties and taxes on behalf of a winner. Ballistic Media and sponsors will not make false valuation claims to assist winners from illegally evading any applicable duties and taxes. 
奖品的进口税或关税由获奖者个人支付。Ballistic及赞助商不会做虚假估价来帮助获胜者非法避税。 

14. By entering the competition the entrant warrants that they are the sole copyright holder and indemnifies Ballistic Media and sponsor from any subsequent claims that may arise regarding ownership, or any other claims that may impact upon the entered work. 
要求参赛者是版权独家所有者,并在有关投稿作品的所有权等方面对Ballistic及赞助商给予免责。 

15. The entrant grants Ballistic Media rights to use all entered works, in any media for sales, marketing and merchandising, provided full and correct credit for the artist clearly appears with said materials. 
要求参赛者授权Ballistic以任何形式使用其投稿作品进行销售,营销及产品促销等,并会在上述产品中标注作者栏和作品材质。 

16. The entrant grants the sponsor rights to use all entered works on sponsors websites in the form of free public galleries, in any form of media, including, but not limited to, web galleries, physical galleries, downloadable form, wallpaper collections and screensavers, provided full and correct credit for the artist clearly appears with said materials. 
要求参赛者授权赞助商在网站上,以任何形式使用其投稿作品,如:网上画廊,实体画廊,下载,壁纸,屏保等,并会在上述产品中标注作者栏。 

17. The final model, both digital and real, remains the exclusive property of the entrant. 最后的作品,数字的或实体的,都是参赛者的专属财产。 

18. The entrant grants Ballistic Media and sponsor rights to use the entrants name, imprimatur and likeness in conjunction with the use of their entered works in any media. 
要求参赛者授权Ballistic及赞助商以下内容:使用投稿者姓名,出版许可,及以任何形式使用投稿作品等。 

19. The entrant grants Ballistic Media and sponsor first right to publish their submitted work in any media.  要求参赛者授权Ballistic及赞助商以任何形式发表提交作品的优先权利。 

20. Entrants commit to notify Ballistic Media in writing at least one week prior to the publication of their work in any media. 
无论以任何媒体形式发表作品,参赛者需提前一周书面通知Ballistic。 

21. Other than the rights assigned in the preceding clauses entrants retain copyright of all entered materials and are free to use said materials for personal promotions.
投稿者除了享有投稿作品的版权之外,还可以免费用于个人发展之用。 

22. The entrant indemnifies Ballistic Media and sponsor against any claims or indirect, special, incidental, or consequential damages from any party that may arise from any use, including but not limited to, publication of entry materials submitted as a part of, or in association with the competition. 
参赛者要向Ballistic和赞助商提供免责保护,避免来自某方关于投稿作品使用出版的纠纷等。 

23. All artwork that is entered by the deadline is final; it cannot be removed or changed after this point. Ballistic Media will not return any material submitted or alter any entry. 
参赛作品在截止日期过后不可被移除或更换。Ballistic将不返还提交材料或改动投稿。 

24. The judges have sole discretion in the interpretation and enforcement of rules, including but not limited to suspension of categories and entrants. 
评审团具有规则的界定和执行的独家裁定权,不仅限于对比赛项目和参赛者的评判。 

25. It is the entrant's responsibility to ensure compliance with all rules. Disqualification of any entrant is not reflected in any public change of status or alteration of their entry. 
参赛者有责任遵守规则。若参赛者被取消参赛资格,不会对其社会地位或投稿作品有不良影响。 

26. There is no agreement or contract between the artist and Ballistic Media. The artist assumes all responsibility and costs for delivering images and other required information to the Publisher for consideration in the competition. 
艺术家和Ballistic之间没有协议或合同。艺术家向出版商邮寄作品及相关信息,以供其参考,并承担所有责任及费用。 

27. Ballistic Media does not require any payment for entry of images nor does Ballistic Media offer any form of payment, actual or implied, to any entrants. 
投稿免费,同时,Ballistic也不支付投稿酬劳。 

28. There is no chance component in the selection of winning entries. Winning entries will be chosen solely on the skill exhibited by the entrants as determined by the judges. 
得奖作品评选的决定因素,在于参赛者呈现给评审的技巧展示。 

29. Ballistic Media will take reasonable measures to ensure the security of entries and information supplied to them. In no event shall Ballistic Media be liable to any party, for indirect, special, incidental, or consequential damages arising out of the loss of images and data supplied, even if Ballistic Media has been advised of the possibility of such loss and damages. 
Ballistic将采取合理措施确保提交的投稿和信息安全。对于作品或提交数据的丢失所造成的各种损失,Ballistic将不承担任何责任。 

30. Employees and relatives of Ballistic Media staff, sponsors and judges cannot compete in the competition.
Ballistic的员工及员工亲属,赞助商,评审人员等不可参赛。 

31. Ballistic Media reserves the right to suspend, shorten, modify or cancel the competition at its sole discretion. 
Ballistic在推迟,缩短,修改及取消比赛等方面保留独家裁定权。 

32. This list of terms and conditions constitutes the complete and exclusive statement of the terms and conditions and supersedes any prior terms and conditions, oral or written, and any other communications relating to these terms and conditions. 
这个列表对条款进行了完整而专门的阐述,并取代之前的一切相关的口头或书面条款和声明,作为条款内容的法定解释。
 
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参赛及注册指导: 

1、投稿截止日期:
2011年6月16日 

2、投稿基本要求: 
1)、作品必须是2560 x 1600 JPEG images-至少90% JPEG质量。 
2)、参赛者必须是CGTalk或CGSociery 的会员。
如果你没有注册,你可以通过下面链接免费注册https://www.cgsociety.org/about/

3、比赛页面:
http://challenge.cgsociety.org/nvart06

4、投稿指南:

 

 

 

 

 

 

 

 
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